Mike Parker: “Oklahoma!” – North Lenoir style
On Thursday evening, April 23, Sandra and I spent a delightful three hours watching students and staff at North Lenoir High School bring “Oklahoma!” by Rogers and Hammerstein to life on stage.
This performance marked the first time in several years that we attended a musical production at North Lenoir. Since we knew that Marian Kennedy was producing the show, we expected a top-notch production. We were not disappointed.
“Oklahoma!” marked the first collaboration by Richard Rodgers and Oscar Hammerstein II. Rodgers composed the music, and Hammerstein crafted the book and lyrics. Their collaboration revolutionized musical theater by integrating song and dance to develop the love story between the cowboy Curly McLain and the farm girl Laurey Williams.
The story is set in 1906 in the Oklahoma Territory, just before Oklahoma became a state in November 1907. Villain Jud Fry, who lives in the smokehouse on the Williams’ farm, tries to come between Curly and Laurey.
I wish I could name every member of the cast and crew of this production, but space just does not permit. More than 50 students were in the cast, and roughly another 50 served on the crew to produce and promote the musical. Still, I would be remiss not to mention some performers by name.
Phillip Jefferson brought “Curly” to life. From the moment he walked onto the stage and began singing “Oh What a Beautiful Morning” to the final reprise of “People Will Say We Are in Love,” he took ownership of both the stage and his character. He became Curly.
Emma Kate Letchworth provided an assertive, feminine answer to Curly as “Laurey.” When she sang “Laurey’s Entrance,” she did not merely make an appearance. She became an arresting presence.
The interplay between Curly and Laurey was believable and compelling. They created tension at first, which gradually morphed into affection.
Gracie Waters played a convincing take-charge Aunt Eller. She was at times funny, at times serious, and at times bossy beyond belief. She served as the fulcrum of the seesaw that was the action early in the musical.
Dasia Cannon was a delight as "Ado Annie." She captured the spirit of “I Cain’t Say No!” as she waffled between her suitors. She brought genuine humor to the forefront of the action and provided comic relief in key places.
When Jud Fry came on stage, I saw a thoroughly unlikable character – uncouth, self-centered, and disgusting. Not until the intermission did I learn that Jud Fry was being portrayed by David Buck, a young man I have known for several years. I did not recognize David. The David I know is nothing like the always-sad and brooding Jud Fry.
I would like to give a nod to James Casper (Will Parker), Sidney Johnson (Ali Hakim, the peddler), and Lydia Aycock (Gertie Cummings of the annoying laugh). Their contributions made this production a sheer delight.
The cast, crew, and adults involved in “Oklahoma!” deserve a round of applause – and a standing ovation. They all gave their best to each other and to the audience.
Sandra and I were glad we took the time to see “Oklahoma!”
Thanks to all who created this entertaining evening.
Mike Parker is a columnist for the Neuse News. You can reach him at mparker16@gmail.com.
